从加里·马克阿巴扎巴歌曲音符

我的歌词为特定歌曲的意义的思索是不是我个人的解释，我只是中继什么唐凡弗利特告诉我的歌词是什么。因此，它的作者/作曲家自己的什么话的意思，不是我的解释。

含义

这些话是关于人类进化的，这在某种程度上唐似乎感受到了发生在印度次大陆 - 不东非。他显然不熟悉L.S.B.利基和他的各种后代和亲属 - 或在他们的发现奥杜威峡谷。

“Babbette Baboon” is an ape-like creature on the brink of “comin’ over pretty soon” to a more humanoid existence – if she can survive being eaten by a tiger or choked to death by smoke and volcanic ash (tabbaco sky), or caught by a mysterious stalker.

原来的歌词持续了网页，但唐有良好的判断力以削减下来，只有几个令人费解的线条和重复短语。But occasionally, the POV shifts to her fellow proto-human stalker (who can’t lose, with the stuff he uses – namely, tools), who eventually catches Babette, they copulate (go-zoom!), and go off for a walk in the sun (two shadows at noon) – a kind of furry Adam and Eve, the parents of the human race.

抒情的变化

变化是从打字纸手工潦草片的复制，从一个黄色的法律垫，在作词/作曲者自己的手与约翰法国写出了几个“节” - 这一切在我的要求做了。

大部分的变化是什么唐写自己的原创。For example, sometimes he’d begin the song with: “Long before song, before song blues…”, or sometimes “Song before song…” Making things even more difficult, his voice is double-tracked – and on one take he’d sing “Long” and on a parallel track or subsequent take, he’d sing “Song,” and both were blended together in the final mix. Ditto for phrases such as “gonna catch her soon” vs. “gonna catch up soon.”

在两种情况下都不要明确地阐明了辅音和明确元音 - 当两个人声音轨进行混合，就会得到一个同时的，含糊不清“走了，嗯，捕手很快”和“gonnuh番茄酱不久，”随机分，这结束了发声like he’s mumbling in another language. A lot of this happened because the ding-bat producers tended to ping-pong tracks, so old tracks were blended with new stuff and then locked in solidly. If a gaffe or mistake slipped by them, they couldn’t really fix it because there was little or no isolation in their four-track masters. And a lot of mistakes slipped by them.

糖果包装纸

这首歌是一个具体的参考不必要到同名的直板（这确实是在左右和66年之前的很多年），但到功能猿猴从棕榈树挂的轮廓40年代/ 50年代糖果包装纸和柜台展示盒。当他还是个孩子的时候，通过强大的图形留下深刻的印象，不要一个名为“Babbette狒狒”，并发明了一个小故事关于她。剩下的就是历史 - 从草本Bermann一点帮助。

请注意，“安全奶”背面的棋盘图案是从阿巴扎巴黑色和黄色的包装处理，其生存直到今天直接警察。原来，这张专辑应该被称为“阿爸扎巴，”糖果人不会使用其名称和标识授予权限。

2001年11月