2020年6月，让自己在大流行锁定期间逗乐，加里写了关于他最喜欢的五个Beefheart专辑。我们很高兴在雷达站向他们介绍
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雷竞技ios下载Capeain Beefheart：我会给你一堆五个诉讼
5-伯爵队长和魔乐队计算它们 - 5个开创性专辑雷竞技ios下载
作为我的3份致敬的3份致敬，只有在Facebook上刚刚完成的唐厢式Vliet A / A队长，正如这里所承诺的那样是我的5个一张演播室专辑的推荐收藏夹雷竞技ios下载，他的真正魔法乐队。当一周的进步时，我会把它们弄清楚，好吗？
这里是没有。1：
“安全为牛奶”（1967年）
— produced by Bob Krasnow and Richard Perry, just in from NYC and hot off the production of Tiny Tim’s first album, and featuring 17-year old guitar hotshot Ry Cooder who helped pull the arrangements together, this album went largely unheard in the US on release but was hailed and broadcast frequently over the BBC by Don’s patron saint John Peel — so much so that photos of both John Lennon and George Harrison show them festooning their walls back in the day with the day-glo bumper sticker sporting the face of a doll-like baby that came free with the original album pressing (John boasts two bumper stickers, affixed to the fridge where he kept his acid).
根据Don的专辑标题是在母乳中开始出现的沙漠中的锶-90落后的锶-90的参考。
From the first note of the bluesy slide-guitar riff of “Sure ‘Nuff ‘n’ Yes I Do”, with Don coming in crooning like a lovesick werewolf: “Ah was born in the desert / came over from New Orleans / Came upon a tornado / sundown in the sky / I went around all day with the / moon stickin’ in my eye”–till the last note, the classical symphonic guitar/bass/drums flourish of “Autumn’s Child” (which Don and co-lyricist Herb Bermann claimed prompted a congratulatory telegram from Leonard Bernstein himself), you’re hooked! Everything about this album is marked with greatness. Every song’s a winner here which shows Beefheart stretching the boundaries of contemporary rock and pop music of the day both lyrically and instrumentally (check the theremin on “Electricity”), but still staying within a fairly recognizable and conventional song format.
佛记录在70年代初的这张专辑用来自摇滚作家和令人遗忘的摇滚历史的遗忘经典之一的引用
其他亮点包括跟雷竞技快乐的幸运跳过新泡泡子呜呜声的“黄砖路”，非洲日志鼓乐队狂热“Abba Zaba”，淡化的“塑料厂”，上述Theremin-laced doomsday reel of “Electricity” (Van Vliet: “Basically a square dance…you know, a bunch of squares, dancing”), and on and on…it’s a stone KILLER of an album, and a good introduction for novices to the essential Beef; basically, a Child’s Garden of Beefheart. Nothing on the album though, as good as it is, can prepare one for the psychedelic onslaught to come…which I will get to presently