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唐凡弗利特，一次（和将来？）上尉好Beefheart所收集的绘画
从纽约跷曾经有记者问诗人，画家和作曲家唐凡弗利特 - 更好地了解许多电气化嚣的影响力之谜，Beefheart船长 - 他是如何制作他的潦草，自由形式的萨克斯独奏。雷竞技ios下载“我只是通过它作画，”对方船长的林立，难以捉摸的答复。
自从他在1982年退休的音乐凡弗利特的存在的第一个全面的提醒，站起来，停止（Cantz / 136页/ $ 40 $ 60特别版CD）进一步表达了蓬头垢面的通感。油污，脱口而出似的，疯狂的眼睛音乐的这些锯齿板 - 在这里看到了一个雄心勃勃的，如果只是偶尔的代表，70个复制品 - 是不可预知的和风味，有的任何Beefheart的喇叭独奏。Toss in the book’s assorted essays on the Captain (including the Rocker article) and its six-track CD of (tremulously) spoken poetry, and this volume is as close to a solo album from the Magic Bandleader as we’re ever likely to come.
就像他的碰撞polymelodic音乐，凡弗利特的最佳作品参与各种同步方向的工作。线和附图比赛观看者的眼睛周围的画布，揭示透视的可能性，倾斜的景色和隐面，然后结霜厚厚涂颜料的土堆下乱窜。样式满足和合并：德库宁的生殖器粉色晕染下一个爆发异想天开克利般的动物，未填装帆布偷看了从下像油性workshirt酸味色域。In the toothsome triptych Dylisheus (1984) and the book’s cover painting, Fur on the Trellis and Just up Into the Air (1985), Van Vliet’s subtle color blends, fervid brush-work and carefully balanced composition suggest a savage, if sunny, Francis Bacon.
即使出现仓促（或者放弃）的画是不是没有配合idiosyncracies，专题一致性或“精”的艺术前兆。在备用拖船（1990年），一个带有斑点乌鸦在天空中，部分质问和Jeckle，部分纽约学校抽象表现主义的弗兰茨·克莱恩无人问津。开销，书法太阳被分成块状，空气中的挂像梵高的咀嚼纪念不规则拆开线。Cats, crows and other fuzzy shapeshifters recur throughout, familiar totems of the artists’ eco concerns (as in the pollutant-obsessed “Blabber ‘n Smoke” or the “odeecology” lament, “Petrified Forest,”), as well as reminders of his childhood hobby: sculpting sea creatures out of soap bars.
Several paintings derive their titles from Beefheart’s lyrics – Japan in the Dishpan (sic), Parapliers the Willow Dipped (from “Bellerin’ Plain”), Circles Don’t Fly, They Float (from “Hey Garland, I Dig Your Tweed Coat,” a 1982 song from a 1970 poem). But fans of his album cover art will recognize only 1978’s Green Tom from Shiny Beast (Bat Chain Puller). And while the book is strong on novelty, it fails to suggest the paintings’ physically impressive scale (many are five feet tall) or the full span of the painter’s career. 60 reproductions are drawn from the late ’80s – a disappointing period of straight-from-the-tube pigments and soggy contours – but the formative ’60s rate only five and the tantalizing color-rich ’70s, a measly three.
偏颇的是这本书最令人失望的中流砥柱。安东·寇班的老化凡弗利特的精美照片，欢迎夹杂物，但A.R.彭克的moronically最少10页的诗，“对于唐凡弗利特，”不是。是CD的第四条轨道实际上名为“安全性行为钻”（131页列表）或更多discographically共振“安全性行为牛奶”作为版权符号坚持？并没有任何人想到去采访艺术家本人对于这种潜在的选集 - 或该终身加州的工作比较任何国家的无数其他景点印象派的？
任何理智的Beefheart奉献会让这些遁词站在他们的方式。但正如书的标题讽刺地呼应了船长的频繁remaindered乙烯基过去，这种有缺陷的卷的高门票价格标签，低调的分布和偶尔的审美失误可能会保持任何人笑，只是还没有。
查克·斯蒂芬斯