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在： 清晰的地方
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[alert_box type=”info”]Taken from the January 1973 edition of Creem.[/alert_box] “And that pantalooned duck / white goose neck / quacked, ‘Webcor, Webcor.’” Those are the last lines on Clear Spot, from a song called “Golden Birdies.” Not exactly “I Can See Clearly Now,” I know, but if you find it hard to make sense out of lyrics like that, or feel that you must, rest easy. Captain Beefheart has come out of the haze. Even though his music has always been solidly rooted in the blues, Beefheart has remained a sort of cult figure: to his followers, a supreme genius; to many others, inaccessible both musically阅读更多→

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在： 聚光灯小孩
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[Alert_Box Type =“Info”]这篇评论挑剔的孩子（Repise）最初在1972年3月30日，1972年轧制石头。Kindly sent to me by Jim Flannery.[/alert_box] “Said the Mama to the baby in the corn/’You are my first-born/That shall hereon in be known/As the Spotlight Kid.’” That’s how the title song of this album begins, and one glance at the picture on the cover — Cap natty in Las Vegas jacket, with a knowing almost-smile on his face — reveals a man with the self-understanding and self-confidence to bill himself as a new-generational hero with no false pride. And make no mistake, it is definitely阅读更多→

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在： 舔我的贴花
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[alert_box type=”info”]This article first appeared in the March 1971 edition of Creem.[/alert_box] Gazing across pop music’s stale horizons, past all the cynical ineptitude, pseudo-intellectual solemnity, neurotic regression and dismal deadends for great bands, there is one figure who stands above the murk forging an art at once adventurous and human: Don Van Vliet, known to a culture he’s making anachronistic as Captain Beefheart. Though there are still lots of people around who just don’t read the Cap at all, who think his music is some kind of private joke or failed experiment (or as a local teen band told me, “Most of that’s the kind阅读更多→

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在： 鳟鱼面具副本
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[Alert_Box Type =“Info”]这件作品是从1969年7月26日滚石的轧制石头。[/ Alert_box]鳟鱼面具副本，船长贝eeFheart和他的魔法乐队（直SM 1053）山羊队队长，是岩石唯一真正的达达主义者雷竞技ios下载，一直受到公共收入和批判的威权主义的侵害。倾向于Chide C.B.，他的乐队作为一个潜在可接受的蓝调乐队，误导了贪婪的时尚商业主义的道路。批评者未能看到的是，这是一个有愿景的乐队，他们的音乐，难以喧闹，粗糙，从独特和原始的意识进行。这变得急剧上阅读更多→

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在： 镜子人
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[Alert_Box Type =“Info”]这篇镜子人（Buddah BDS 5077）的评论最初于1971年4月1日，1971年版滚石。Kindly sent to me by Jim Flannery.[/alert_box] Captain Beefheart still plays to a relatively minor following, but most of them believe, as I do, that he’s one of the four or five unqualified geniuses to rise from the hothouses of American music in the Sixties, an innovator whose instinctive idiomatic syntheses and wildly original approach to composition and improvisation preview an era of profound changes to popular music. Statements like that would be extreme anywhere else, but only Cap has managed to fuse the阅读更多→

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在： 艺术文章那生活文章和访谈那音乐文章和访谈
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[Alert_Box Type =“Info”]这篇优秀的文章/面试是从10月1日 - 7日版本的声音中获取的。[/ Alert_Box]他活着，但油漆也是如此。你是？Don Van Vliet是一名39岁的男子，在莫哈韦沙漠的拖车中与妻子Jan一起生活。他们有很少的钱，所以有时必须对他们很难，但我从未听过他们抱怨。Don Van Vliet更像是Beefheart队长，全世界是一雷竞技ios下载代新的波浪'N'Rover Band'的一部分是他们最重要的精神和音乐素食者之一：John阅读更多→

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在： 你的故事和悼念
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[alert_box type=”info”]Scott recalls his parents’ reaction to the Magic Band’s Saturday Night Live appearance.[/alert_box] In 1980, as a 15-year old I had been reading Lester Bangs’ articles about Captain Beefheart in “Musician” magazine (which turned out to be amazingly accurate and descriptive), and was quite interested to learn more about what this supposedly amazing music sounded like. However, I didn’t have the money to actually buy the records – and believe me, noone else in Sparta, Illinois had them to loan to me. One night I was interested to notice in our T.V. Guide that Beefheart was playing on that night’s “Saturday Night Live”, a阅读更多→

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在： 在新闻界那生活那悼念
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主要音乐Mags需要一段时间，因为他们的高级编辑截止日期，他们会因唐的死而做出反应。以下是其中一些产生了意义的贡献：纪录收集器＃385 2011年2月在他们的“未忘记”ob告中的克里斯需要（前Z字形编辑）写了一件非常好的作品。It is only one page but it packs a lot in The Word #96 February 2011 An eight page spread, ‘A fish out of water’, that has some good points with Mark Ellen looking at his art as well as his music but also disappoints (the David Hepworth piece) by perpetuating a阅读更多→