重点报道的孩子/清除现场评论由吉姆·沃什伯恩
[alert_box type=”info”]Taken from the Los Angeles Times, 12th January 1995.[/alert_box] More undiluted examples of Captain Beefheart’s singular genius can be heard on his “Trout Mask Replica” and “Lick My Decals Off” albums, but this pair of 1972 albums-packaged together here-are his most innately pleasurable. Had Howlin’ Wolf been raised beside the canals of Mars, he might have sounded like Beefheart (a.k.a. Don Van Vliet), who mutated the blues with Dadaist lyrics, jagged guitar lines and spasmodic rhythms that showed his disdain for what he called the “mama heartbeat” of rock music. Striking many as chaotic hippie noise, his music, for the diligent listener, mirrored nature阅读更多→
多米尼克·谢弗(Dominic Schaeffer)的《沼泽猛男》
[alert_box TYPE =”信息”]多米尼克由船长首次来袭... [/ alert_box]这是我我第一次听聚光灯孩子的记忆。(the artist- not that particular album! hehehee) In 1973 and at the age of 16, I went to New York from my hometown of St. Louis to see Jethro Tull perform ‘A Passion Play’ at The Garden and the Nassau Colluseum with a New Jersey couple, Ron Lorman and Lisa who were students at Webster College that I had met at the Tull shows here two weeks earlier. *shwew* One night between shows we were hanging at thier apartment when he hands阅读更多→
《爱胜于黄金》，D.惠特尼·奎恩著
[alert_box type = "信息"]D。惠特尼·奎因在一场魔术乐队演出中目睹了一场舞台入侵。[/alert_box]从1972年到1980年，我至少看过十几次《猛男》，最开始是《清除斑点》(Clear Spot)系列。1973年，我第一次看到他时，他正在亚利桑那州凤凰城的一家圆形剧场担任主角，开场表演不太成功。这是一个相当奇怪的场地——移动的舞台每五分钟进行一次完整的旋转，所以尽管所有的座位都很近，但视角在不断变化。在《小小壮举》上演了一场精彩的演出之后，片场之间有一段间歇，然后突然间，一些人阅读更多→
埃里克的《大眼睛豆子的力量》
[alert_box TYPE =”信息”]埃里克讲述了他与队长开会的故事，以及他如何走过来的唐·范·弗利特草图骄傲的主人。[/ alert_box一些这个尾部的细微之处可能是有点out due to memory loss… but this is the gist of it: It was the Clear Spot tour in the UK in ’73. We had seen it in Liverpool, where we all lived, and his next venue was Preston at the Preston Guild Hall. One of our gang was a guy called Tony, he was a rather slim Irish character with a larger than life personality. He阅读更多→
它是从底部开始的还是从顶部开始的?
在《卫报》的一个播客里，关于皮弗哈特船长的雷竞技ios下载一个不错的专题刚刚上线。《牛心》的粉丝乔恩·丹尼斯和约翰·哈里斯(《卫报》最近的任务:Unlistenable的作者)聊了聊如何最好地进入《牛心》，以及为什么人们应该为此烦恼。他们的结论?把《鳟鱼面具》的复制品留给铁杆怪人，《清除斑点》是有史以来最伟大的专辑之一，每个人都应该听。很难提出异议。我常常觉得，我们大谈特谈《鳟鱼面具复制品》(Trout Mask Replica)，认为它是音乐艺术成就的巅峰之作(我认为的确如此)，这种倾向可能已经影响到了《牛心》(Beefheart)阅读更多→