六月到2020年,保持大流行期间锁定自己逗乐了,加里写了关于他最喜欢的五张Beefheart专辑。我们很高兴能够在这里展示他们的雷达站
------------------
雷竞技ios下载CAPTAIN BEEFHEART:我给FIVES的你一堆
5尽数-5队长BEEFHEART和魔术BAND开创性的专辑雷竞技ios下载
作为后续行动,我的第3部分悼念唯一DON凡弗利特A / K / A CAPTAIN BEEFHEART刚刚完成在Facebook上,因为在这里承诺是我5雷竞技ios下载个的11张录音室专辑唐发布了他的真正MAGIC BAND推荐收藏。我要发放出来作为一周的进展,好吗?
这里是NO。1:
“安全奶”(1967年)
— produced by Bob Krasnow and Richard Perry, just in from NYC and hot off the production of Tiny Tim’s first album, and featuring 17-year old guitar hotshot Ry Cooder who helped pull the arrangements together, this album went largely unheard in the US on release but was hailed and broadcast frequently over the BBC by Don’s patron saint John Peel — so much so that photos of both John Lennon and George Harrison show them festooning their walls back in the day with the day-glo bumper sticker sporting the face of a doll-like baby that came free with the original album pressing (John boasts two bumper stickers, affixed to the fridge where he kept his acid).
根据唐专辑标题是从沙漠中横行原子测试90锶属于淘汰的引用已开始出现在母亲的乳汁。
From the first note of the bluesy slide-guitar riff of “Sure ‘Nuff ‘n’ Yes I Do”, with Don coming in crooning like a lovesick werewolf: “Ah was born in the desert / came over from New Orleans / Came upon a tornado / sundown in the sky / I went around all day with the / moon stickin’ in my eye”–till the last note, the classical symphonic guitar/bass/drums flourish of “Autumn’s Child” (which Don and co-lyricist Herb Bermann claimed prompted a congratulatory telegram from Leonard Bernstein himself), you’re hooked! Everything about this album is marked with greatness. Every song’s a winner here which shows Beefheart stretching the boundaries of contemporary rock and pop music of the day both lyrically and instrumentally (check the theremin on “Electricity”), but still staying within a fairly recognizable and conventional song format.
佛记录70年代初从岩石作家和Beefheart支持者兰登·温纳报价重新发行这张专辑:“一个岩石被遗忘的经典“n卷历史” - 右他。
其他亮点包括跟雷竞技“黄砖路”的慵跳绳新泡泡糖奇想,非洲数鼓呗狂潮“阿爸扎巴”的“塑料厂”的向下和肮脏的布鲁斯流失,上述特雷门琴-laced doomsday reel of “Electricity” (Van Vliet: “Basically a square dance…you know, a bunch of squares, dancing”), and on and on…it’s a stone KILLER of an album, and a good introduction for novices to the essential Beef; basically, a Child’s Garden of Beefheart. Nothing on the album though, as good as it is, can prepare one for the psychedelic onslaught to come…which I will get to presently
