[Alert_box Type =“Info”]从3月1972年3月拍摄素唱片杂志。[/ Alert_box]
谁是今天美国最伟大的白色布鲁斯歌手？如果你说John Hammond或Dave Van Ronk或Kate Taylor，请羞辱你。如果你说Van Morrison，你就会获得一半的信用，因为他曾经（或者也许是季度信贷以来，他只是他只是一个名誉美国人）。RY Cooder的一半归功于，因为他正在努力。如果你说David Clayton-Thomas，请咬你的舌头。硬。如果你真的很奇怪，那就想出了像伯尼珍珠这样的人，请立即停止阅读本出版物。不，这不是Sammy Davis，Jr.，如果有人在那里抓住它可能是Mark Farner的希望，请邮寄你的姓名和地址，以便我们发出代理踩踏你的屁股。
当然，正确的答案是Don Van Vliet，谁尽管他的名字，那不是被森林文艺复兴的被遗忘的人，但谁实际上是Stout-Carry，鳟鱼的老船长，令人沮丧的令人心满，音乐忧郁的疯狂雷竞技ios下载，街道悲伤的苏丹，布鲁斯的强盗男爵。我的意思是，我爱MOSE ALLISON和JOHN博士和约翰博士和所有其他善良的人，但只有船长才能把黑色蓝调成语的所有基本要素都带到一个绝对无所事事的音乐风格中与其来源（除了最明显，简单的方式之外），现在我停下来思考它，绝对无关，完全没有其他任何事情。肮脏的boogie的辩证。或者是肮脏的呼吸状，当然，“重要的威利托尔”哭泣'米莉/我会吹嘘你的宝贝“。由于船长，我的队长在整个血迹历史中拥有最肮脏的声音。我的意思是，他可能会因在公共场合登记主的祈祷而被捕。And when, far from that, he goes around singing “I’m gonna grow fins / ‘N go back in the water again..… I’m gonna take up with ah mermaid / ‘N leave you land-lubbin’ women alone”; when he soulfully informs us that: “Down in hominy’s grotto there’s ah soul diein’ ‘n leavin’ / Every second on the evenin’ stage”; you know that he’s not just whistling Dixie.
这提出了这个事实的问题，除了可爱，含水性的超现实主义，街角伪参考，除了格鲁吉亚辣椒粉等山核桃，除了所有的山核桃，还有音乐。他自己的口琴（这听起来像Clifton Chenier在“白色果酱”上的手风琴），Zoot Horn Rollo的“玻璃手指和钢封面吉他”;which is more wry than Ry, Ed Marimba’s marimba, piano, and harpsichord, Rockette Morton’s “bassus ophelius”, Winged Eel Fingerling’s guitar, and drums by Drumbo, Ted Cactus, Ed Marimba, and Rhys Clark (how did that weird name get in there?). A nice, nasty band which is certainly a tasty adjunct to the greatest white blues singing in America that is going on simultaneously. The orchestration, the veritable chorus of percussion at the start of “When It Blows Its Stacks”, then the Ornette-goes-to-carnival-type break in the middle of the song. The neo-bop riff under the raunchy blues riff on “The Spotlight Kid”. The whiz-bang choo-choo sounds on “Click Clack” (certainly a classic blues theme if ever there was one – it even has two trains on two railroad tracks and a woman who’s “always threatenin’ t’ go down t’ N’ Orleans”). And the grand fragmentations of line on “Blabber ‘n Smoke”, which is thoroughly extraordinary throughout. Zowie. And Captain Beefheart singing like he looks and looking like the kind of guy who “…takes um out / Out on an iceberg / Hand ’em ah Ronson ‘n says I’ll see you around.”