舔我的贴花，宝宝根本不是一个组成，易于借给自己进行的。所以当我发现Puttanesca的视频是他们的贴花之一的视频，宝贝排练在他们的MySpace页面我写的是要让他们寄给我关于它的各种痴迷的细节。
乐队的主唱Weba Garretson迅速回应了他们的工作，包括他们使用的部分转录的扫描(点击图片可以看到一个可读的版本)。
对我们来说，贴花是一个不断发展的过程。CD上的版本和排练的版本相似，不过在.... CD上听起来要好一些然而，随着我们的执行，安排也在不断变化。在“这首歌不是唱歌的歌……”的结尾的groove部分变得更长了，乔在吉他上添加了另一个riff，现在我们有男高音萨克斯，结尾变成了一个跳跃的马戏团蓝调……
Beefheart relates to Puttanesca because we’re into writing songs that use noise, dissonance and angular harmonies but are rooted in the blues….I guess you could call it the “abstract blues.”I saw Beefheart when he played the Whiskey in 1981 and he’s been an inspiration ever since. I loved the way he went from being an excellent blues singer into this Shammanistic character.
就舔了，我们花了一段时间才能弄明白。如何计算这首歌是我们的大挑战。那个是哪里？and then the bridge section, with all it’s variations of 2/4, and 6/4…we were completely confused until Joe Baiza (the guitar player) sat down and wrote the whole thing out, note by note…and then the lyrics…the way Beefheart delivers them in a voice that swings up and down…it took me a long time to figure out a way to sing in my own way. I didn’t want to imitate his delivery. When I understood what he was saying, about the totality of desire “I wanna swallow you whole….everywhere it’s pink…” and that the song wasn’t merely salacious “this song ain’t no…” I started to get a clue. There’s a comical tone to his voice, but what he’s saying is very serious. For me that’s the key.
我认为我们在这一点上真正享受的是发现穿过整首歌的有机线程，并使非常独特的部分流动在一起。这是一个点，你只能通过播放一遍又一遍地播放。我们计划很快地进行另一个视频，继续更新人们的进步。我们很开心。[/ wp_quote]
Puttanesca的CD，Puttanesca，在Catasonic Records上发出。舔我的贴花，婴儿是CD上的11个轨道之一，将角度爵士乐的乐器结构与Weba Garretson的圆形性感声乐相结合。可以听到样品轨迹Puttanesca的MySpace页面那在他们的网站上和在cdbaby。