一个从他的名单编译在2020年Facebook的挑战加里·十大专辑...
热轧圆钢德角落马上就要来了
SEVEN来吧十一
我的幸运数字的主
阿feeeeel像我在天堂
说啊
- “阿感觉怎么样Ahcid”，Beefhea雷竞技ios下载rt船长和他的魔术队
And **LUCKY SEVEN** it is today in the Bang On A Gland Roll-Call of the Ten Most Happenin’est, Earth Shakin’est Albums reverberating still in the hippodrome and flippodrome of my skull, until the last syllable of recorded time even (or something like that–I keep revising my list to try and keep it fresh due to multiple lists of same requested by all sorts of folks and media outlets over many a year). And today’s lesson is mighty important, remember: Bullwinkle is a do…NOT that lesson! This lesson:
在1月15日美国加州格伦代尔的1941年苏和格伦·弗利特少了唐尼 - 一个天才独生子女，一个浪子神童你可能会说，有办法，大耳朵，一个令人印象深刻的性向，为雕刻和绘画的骄傲的父母，并具有显着的ability via sheer mental energy and his commanding bark to bend folks (in his immediate vicinity anyway, long-range was an iffy-er proposition) to his Will–we’re talking real Nietzschean Ubermenschen stuff here (Don always said it was due to his being born near a nuclear testing area).
Young Don possessed fantastic poetical gifts and a whole new way of seeing the world afresh, accelerated in the mid-60’s by the liberal use of psychedelics (which he at times denied– but hey, he wasn’t the first artist out there to dabble and then try and cover his tracks / obscure his origins in an attempt to escape The Anxiety of Influence, pace Harold Bloom). Anyway, his folks up and moved themselves with Don to the High Mojave Desert about an hour and a half from LA shortly after Don was offered an art scholarship in Europe.
一旦出现，在兰开斯特Ca的小镇，拥有年轻弗兰克泽帕他萌生的友谊促进了对蓝调，节奏蓝调，以及自由爵士他毕生热爱的激情，他的成分借鉴了深受组建他的第一个魔术队创造自己的音乐。Jumping straight out of the box with a hit single on A&M Records, a cover of Bo Diddley’s “Diddy Was Diddy”, Don embarked on a series of albums beginning with 1967’s “Safe As Milk” to establish himself as a Force of Nature– perhaps the most Artistic (down to the tips of his toe-nails) Avant-Garde Shaman in Rock, Jazz, Blues, or what-have -you… Call it what you will, but his is a singular, and unmistakeable (and lonely, despite many pretenders to the Throne) visionary voice , which though stylistically borrowing from elder bluesman especially Chester Burnett a/k/a Howlin’ Wolf (who Don as was his wont denied ever listening to–“well, it might have been on in the same room I was in, but I mean, I never LISTENED to it”… he had a great line in blarney did Don) nevertheless was refashioned and made Beefheart’s own. And what’s in a name? Christened Don Vliet, he had his name legally changed back to the original Dutch surname Van Vliet in the mid-60’s when he assumed the musical persona of Captain Beefheart (“I have a Beef in my Heart Against Humanity” he claimed; Zappa said it derived from somewhat more earthy origins buried deep in Don’s childhood).
这需要我们去我的第7张专辑“仅限本人”。设计看起来（有点）像含内色情图片一个牛皮纸信封（它涉及到你在一个普通的棕色包装纸），与来自哥斯达黎加和Glassdom Glassdom日 - 格洛邮票承载每个乐队成员的面貌在外面（范·弗利特当然，再加上吉他手亚历克斯·圣克莱尔Snouffer和杰夫棉，贝司手杰里汉德利和鼓手John法语），这张专辑是从一个微小的感官全正面进攻，以“阿感觉怎么样Ahcid迷幻布鲁斯奇想开始” (basically a re-imagining of Son House’s “Death Letter Blues” put through a blender on a bender), with Don raving and gesticulating and hand-clapping ‘n bottleneck guitars springing willy-nilly off-kilter every which a’way like Mexican jumping beans (“U Bean So Cinquo”)–and closing with the childish wonderment / immersion in the acid-bath (everyone into the Gene Pool) of “Kandy Korn”, the Magic Band (truly) shooting off sparks and tripping the light fantastic ‘cross a rainbow bridge over the Abyss, spanning Here to There and Vice Versa while Don and the boys intone “Be Reborn…Be Re-formed…Stay Stay Stay Warm”) (what Chaplin advised Groucho to do before Chaplin died).
The album on Kras and Artie Ripp’s Blue Thumb Records went on sale in Syracuse in 1968 at full price at Bob Mears’ The Record Runner (a nifty little walk-down off Syracuse University’s Marshall Street), and a few months later it was a cut-out and marked down to $1.97, at which point I snapped it up. I didn’t honestly know what to make of it then, it made for an extremely rugged listening experience, but in time over the years (and because I was forced to learn how to play some of it during my later stints in The Magic Band and with Fast ‘N Bulbous) I grew to love it — even though Don claimed producer Bob Krasnow got in there with Don’s cousin Victor Haydon (The Mascara Snake) on LSD one night while Don’s back was turned and ruined it with a lot of cheap psychedelic effects, thumping heartbeats, phasing … Pish Tush and Pshaw! It’s a great album, it never gets picked, so here I go