[alert_box TYPE =”信息”]第从16日1997年8月如果你知道这个来自未知来源，请让我知道。[/ alert_box]
一个一文不值的坏话是唐凡弗利特，下周二的BBC2纪录片摇滚邪教的主题：艺术家原名船长Beefheart引入，并没有1 Beefheart风扇约翰果皮叙述。雷竞技ios下载弗兰克泽帕，例如，几乎是逐字地在他临死之前，他可以让自己在他的前搭档的音乐铃声水平发表评论，已经倒下两人出可怕的和臭名昭著的近20年之前。
Tuesday night’s fascinating programme in fact arose accidentally out of producer-director Elaine Shepherd’s previous portrait of Zappa, when, in the last TV interview before his death from cancer in 1993, the renowned hippie-maverick, satirist, independent record-company entrepreneur, and avant-garde composer opened up about his role in 1969 as producer of Beefheart’s Trout Mask Replica, a long, wilful, sporadically incandescent, and notoriously difficult album. As Zappa recalls of the album in Rock Cults: “If it had been produced by any famous professional producers, then there could have been a number of suicides involved.”
同样，程序下划线怎么Beefheart的专制的方式来处理他的绝世乐器组合，魔术队的成员，也可能导致猝死：Beefheart的。“魔术队的一个前成员回忆起拍摄Beefheart十字弓，”马克·库珀，后来的发明家Jools荷兰和岩石崇拜的执行制片人说。“我认为，谁是在程序魔术乐队的成员们一致时，才发现他不可能......，谁不想在节目中的那些发现他更加糟糕。“他打出了自己的音乐家别人会演奏钢琴。他们担任他的音乐，我认为这是公平地说，他根本不认识他一起工作的人的人性。这是不以恶的方式，但在一个专一的方式。他做了什么花来实现他的理想，不管事实，这导致了与所有他曾经签署的标签，以及他合作过的音乐家骇人听闻的关系。“他是一个疯狂的，独裁的作曲家，但在同一时间，他可能是迷人的，无辜的，然而可怕的。良性煽动者。我记得我看他演活，当我在七十年代初一个十几岁 - 我居然感到害怕，但没有受到威胁，当他开始一首歌曲与三角洲蓝调咆哮的爆发“。
鉴于他的可怕的声誉，而事实上，在1982年，他完全抛弃了音乐一个成功的职业生涯，作为一个画家，Beefheart /凡弗利特在程序中没有直接参与，但他的妻子简，做一些家庭电影画面授予访问权限。
Other insights come from Ry Cooder, who played on the Magic Band’s first epochal album, Safe As Milk, in 1967, and who describes the Beefheartian modus operandi thusly: “The concept seemed to be that you take the raw blues elements – the John Lee Hooker idea, Howlin’ Wolf – down to its purest sound … a grunt maybe, something abstract, and then you take your John Coltrane crazy time-signature, free-jazz thing, and hybridise them, and this is what you come up with. Well, it’s a great idea.”
一个不合格的Beefheart风扇是马特Groening，辛普森的创造者。“It’s the culmination of the entire history of the blues, rock’n’roll, experimental music, and free-jazz, combined with extremely talented musicians playing it, and one of the most incredible voices in musical history,” says Groening, before going to recall his first feelings on being confronted with Trout Mask Replica. “It had Frank Zappa’s name on it, so I bought it. Took it home, put it on … it was the worst dreck I’d ever heard in my life – ‘They’re not even trying, they’re playing randomly!’ And so I thought: ‘Frank Zappa produced it, I’d better give it another play,’ and I played it again and I thought: ‘It still sounds horrible, but maybe they meant it to sound that way.’.”He continues: “By the third or fourth time, it started to grow on me, and by the fifth and sixth time I loved it, and after the seventh and eighth plays I thought it was the greatest album ever made and I still do.”
哪里可以检测到今天Beefheart的影响力？在贝克，P j的哈维和大卫伯恩的工作。什么Beefheart自己说，大约Beefheart的音乐？“我想这正是我想要的方式......正好，”他在1980年接受电台采访时说：“任何作曲家会想这样的说法，我不会在所有的偏离。像斯特拉文斯基一个人，你不觉得这会激怒他，如果有人弯曲记下错误的方式？”
Listen to Captain Beefheart and the Magic Band’s music today – stuff like I’m Gonna Booglarise Ya, Baby, with many of its notes bent exactly the right way – and know that it’s still gonna booglarise ya, baby, in ways that will always be completely beyond regular tunesmiths, contemporary chaps like Noel and Liam Gallagher, say.
-David贝尔彻